• Professor in Architecture and the Moving Image
• Director of the Martin Centre for Architectural and Urban Studies
• Director of the Digital Studio for Research in Design, Visualisation and Communication
• Fellow of Darwin College
• Director of Studies for Darwin College and Hughes Hall
HONOURS & AWARDS
• Awarded a Honorary Concurrent Professorship at Nanjing University in April 2012
• Awarded in May 2009 the order of ‘Chevalier dans l’Ordre des Palmes Académiques’ by the French Ambassador in London in recognition to the dissemination of French film culture in the UK.
Maureen Thomas research interests include the theory and practice of spatially organised narrativity (including interactivity) and modes of representation and engagement, co-founded DIGIS with François Penz in 1998 and co-directed the MPhil in Architecture and the Moving Image, also supervising PhD students and later helping to develop and teach the MML MPhil in Screen Media and Cultures.
For DIGIS, Maureen has participated in Marvellous Transformations (project leader), Urban Cinematic Geographies of Battersea, Museum as Interface, Cinemarchitecture, MIST (project leader), ATCAD (project leader), Discursive Formations, New Millennium – New Media (NM2) (Co-I) and Smart Media (project leader).
2018-2019
A Cinematic Musée Imaginaire of Spatial Cultural Differences
2015
[with Dr Donal Cooper] Virtual San Pier Maggiore: The digital repatriation of Florence’s Renaissance past and the future of 3D visualisation for cultural heritage
2012-2013
The Museum as Interface – with Kettles’ Yard Dec ’12 to May’13
2013
Urban Interface & Site-Specific Spatial Knowledge in collaboration with English Heritage (PI: Prof François Penz Value: £200’000)
2010
CinemArchitecture was an intensive summer 2-week residential symposium/seminar/workshop supported by the EU ERASMUS programme.
2017
Cinematic Aided Design: An Everyday Life Approach to Architecture. Routledge.
2017
Cinematic Urban Geographies. New York: Palgrave Macmillan.
2017
‘Absorbing cinematic modernism: from the Villa Savoye to the Villa Arpel’, in Graham Cairns (ed.) Visioning technologies: the architectures of sight. Abingdon, Oxon; New York: Routledge. pp. 121–135.
2017
‘Ghost Cinema App: Temporal Ubiquity and the Condition of Being in Everything’ pp 313-336 in Penz & Koeck (eds.), Cinematic Urban Geographies, London: Palgrave Macmillan.
2017
Cinematic Urban Archaeology: the Battersea Case’ pp. 191-221 in Penz, François and Koeck, Richard (eds.), Cinematic Urban Geographies, London: Palgrave Macmillan.
Landscapes are rich emergent envelopes of material and immaterial qualities that require capturing for further thickening. Filmic and photographic approaches embed strong sensorial experience and narration for portraying these entanglements, influencing not only the way landscapes are shaped but also how humans and living organisms are shaped by their engagement with both landscapes and film as mediums of experience and emergence.
Landscape Storytelling aims to explore, test and discuss such exchanges between site, [audio] visual research methods, humans and living organisms. We ask: how can visual and audio-visual records of global landscapes that embody storytelling bring together productive exchanges and artistry between the qualitative readings of our forests, gardens, rivers, oceans, towns, cities, factories and businesses with quantitative environmental research data?
The event welcomes landscape architects, architects, filmmakers, photographers, archaeologists, biological fiction writers, environmental scientists, climate change activists and all interested in our ecological present, past and futures.
The event includes the book launch of Architecture Filmaking (edited by Igea Troiani and Hugh Campell) which investigates the ways in which architectural researchers, teachers of architecture, their students and practicing architects, filmmakers and artists are using filmmaking uniquely in their practice. Copies can be bought for a special price at the event.
Building on André Malraux's idea of the Musée Imaginaire [Museum without Walls], a secondary phase of the project will create dedicated museum installations to disseminate the research findings. Three museum installation will be set up in collaboration with the National Museums Liverpool, the Centre for Chinese Contemporary Art in Manchester and the Art Museum of Nanjing University of the Arts in China.
Inaugural workshop of the CineMuseSpace project 2017
The Digital Studio Symposium at the Martin Centre 50th Anniversary Conference As part of the Martin Centre 50th Anniversary Conference in December 2017, former and current members of the Digital Studio research group from around the world gathered to present their latest research and the trajectories they have taken in their careers. Led by the Digital Studio founders François Penz and Maureen Thomas, the event highlighted the diversity of topics explored by the research group over the years.
AHRC funded reseach aimed to explore the different facets by which cinema and the moving image contribute to our understanding of cities and their topographies. This event will be the final act of an AHRC research project entitled Cinematic Geographies of Battersea.
The conference is supported by the Centre for Research in the Arts, Humanities and Social Sciences (CRASSH)
The Museum as Interface is an AHRC Cultural Engagement Fund research project conducted by the Faculty of Architecture and History of Art of Cambridge University and Kettle’s Yard. Following in the footsteps of previous investigations into digital technologies in museum contexts at the university.
Cinematic Geographies of Battersea: Urban Interface and Site-Specific Spatial Knowledge is an AHRC-funded research project being conducted by the Universities of Cambridge and Liverpool in partnership with English Heritage (EH). This projects aims to complement work on the parish of Battersea, by studying how this area has been portrayed in films over the 20th century.
The conference is supported by the Centre for Research in the Arts, Humanities and Social Sciences (CRASSH)
Cinematic Mapping of Cambridge contains the video archive of the Digital Studio (DIGIS) for Research in Design, Visualisation and Communication, Martin Centre, Department of Architecture, University of Cambridge. It contains both research and practice-based movies about the city and the University of Cambridge.
Cinematic Mapping of Cambridge was funded by the Isaac Newton Trust 2011-12
2017
Cinematic Urban Geographies. New York: Palgrave Macmillan.
2016
From the Villa Savoye to the Villa Arpel, Chapter 7 from Visioning Technologies The Architectures of Sight, Routledge
2012
Cambridge in concrete. Images from the RIBA British Architectural Library Photographs Collection, Paparo
2003
From Motion Pictures to Navigable Interactive Environments, University of Chicago Press
1997
Cinema and Architecture: Melies, Mallet-Stevens, Multimedia, BFI Publishing
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